Clifford Possum Tjapaltjarri started his working life at diverse stations across Central Australia, where he acquired his impressive linguistic repertoire of six Western Desert languages, including his native Anmatyerr, and a little bit English. Clifford, living at the Papunya Community, was one of the first artists to be involved with the Aboriginal Art Movement. Search instead in Creative? His first opportunity to paint came when one of Albert Namatjira's sons gave him acrylic paints and the master began his work. [6] The work, in fact, sold for $2.4 million;[7][8] the following day, it was revealed that the National Gallery of Australia had been the buyer. Some features and content of this website may not work as intended. They put down all the story, same like I do on canvas. Clifford Possum Tjapaltjarri Aboriginal Australian (Anmatyerre), 1932-2002 Perentie Dreaming, c. 1986 Acrylic on canvas Signed in graphite to verso, unframed. He was buried at Yuelamu, which had been the preference of his community and daughters, several weeks after his death. After the death of his father, his mother married Gwoya Jungarai who was the first named Aboriginal person to appear on an Australian stamp and was known as 'One Pound Jimmy'. Warlugulong 1976 and several paintings by Aboriginal artists was exhibited at the inaugural Australian Perspecta at the Art Gallery of New South Wales in 1981, the first time Aborigines had been included in a general survey of Australian contemporary work. View our artist exchanges By the 1970's he was one of the most accomplished carvers in Central Australia. Police claimed that the Aborigines had killed a local dingo hunter. Clifford Possum Tjapaltjarri was an Australian artist born in 1932. Clifford Possum Tjapaltjarri (1932-2002) Collections: Artbank Sydney, Art Gallery of New South Wale Read More. It sold for $2.4million, thoroughly eclipsing the previous record for an Indigenous Australian painting, set when Emily Kngwarreye's Earth's Creation was bought in May of the same year for just over $1million. Born: Napperby, Northern Territory, Australia circa 1932, Died: Alice Springs, Northern Territory, Australia 21 Jun 2002, Language group: [8] The work and the price it achieved at auction in 2007 are cited as evidence of both the importance of Clifford Possum as an artist, and of the maturation and growth of the Australian Indigenous art market. Clifford Possum emerged as one of the leaders in this school of painting, which has come to be called the Western Desert Art Movement. Additional documents supplied by Central Australian . He began carving during the same period and had established a reputation as a craftsman before becoming one of the first men to take up painting at Papunya, a settlement established 240 kilometres north-west of Alice Springs in the 1960s. 'Tjapaltjarri finally allowed to rest in peace', "Indigenous artwork tipped to sell for $2.5m", ABC News online, "Aboriginal Artwork sells for record price", News Limited, news.com.au, "National Gallery bought dot painting", 25 July 2007, Clifford Possum - An Audio Interview with Aboriginal Artist Malcolm Jagamarra, https://en.wikipedia.org/w/index.php?title=Clifford_Possum_Tjapaltjarri&oldid=1101388819, Clifford Possum, Clifford Possum Tjapaltjari, This page was last edited on 30 July 2022, at 19:35. Coinciding with the superimposed stories was a new paint-layering technique and visual imagery. Clifford developed his own unique style that included secular non-traditional motifs. He is considered as one of the most famous Central Western Desert artist to dominate the Aboriginal art scene. [12] Artist and curator Brenda L Croft agreed, considering it "an epic painting, encyclopaedic in both content and ambition" and "the artist's most significant work". [notes 1] Owned for many years by the Commonwealth Bank of Australia, the work was sold by art dealer Hank Ebes on 24 July 2007, setting a record price for a contemporary Indigenous Australian art work bought at auction when it was purchased by the National Gallery of Australia for A$2.4million. Clifford Possum Tjapaltjarri was a significant Aboriginal artist. The work, in fact, sold for $2.4 million; the following day, it was revealed that the National Gallery of Australia had been the buyer. /  The move coincided with a growing interest in Western Desert art by private and public galleries, with financial support and commissions from the federal government, which was anxious to include paintings by Aborigines in the 1988 bicentennial celebrations and the new parliament house. The conceptual purity of these works is a precursor to Clifford Possum's unparalleled skill in conjuring objects in space, describing the physical relationships below, above and beyond objects. List of all 145 artworks by Clifford Possum Tjapaltjarri. The artist, who provided ongoing financial assistance to his extended family and close relatives, rarely saw the increasingly large sums of money that art dealers and gallery owners made from his work. Possums father was taken prisoner during the assault. He worked extensively as a stockman on the cattle stations in and around his traditional country. Flinders University Art Museum Collection. Geoffrey Bardon came to Papunya in the early 1970s and encouraged the Aboriginal people to put their dreaming stories on canvas, stories which had previously been depicted ephemerally on the ground. Video excerpt from the ABC documentary 'The Exhibitionists' on Utopia artist Emily Kame Kngwarreye. Tjapaltjarri had been a part of the Papunya art community for four years and was one of their most successful and respected artists, but it was his previous career as a stockman working on central Australias pastoral stations, or ranches, that made him uniquely qualified for the project. Tjapaltjarri joined Papunya Tula Artists in February 1972 and was one of their founding directors. Allan, and his mother from Warlugulong, an area southwest of Yuendumu. Standing out among an exceptional cohort, these four selected artists deployed their inherited iconography while exploring the new poetic possibilities offered by paint on canvas. Growing up, Clifford enjoyed a tradition bush lifestyle and was given the name Possum by his parental grandfather. Possum's father was Tjatjiti Tjungurrayai and his mother was Long Rose Nangala. Colonial Australian Art. Clifford Possum Tjapaltjarri, one of the acknowledged pioneers of the contemporary Australian Aboriginal art movement which emerged at Papunya settlement in central Australia in the early 1970s . Warlugulong was Tjapaltjarris first monumental canvas, and became the template for a series of large-scale paintings made through the late 1970s. People use them to paint up. 2201 C Street NW | Washington, DC 20520 Over the next decade he would become the most widely travelled Aboriginal artist of his generation and an ambassador for Aboriginal art around the world. Hailed as the master and pioneer of Central Western Dot painting, Clifford merged the traditional with the contemporary creating artworks which moved beyond their canvas speaking to all who gaze upon them. His work has travelled extensively around the world, including 'Dreamings - The Art of Aboriginal Australia' in New York, Chicago, Los Angeles and St Louis. (age55in2002), Clifford Possum Tjapaltjarri AO This website comprises and contains copyrighted materials and works. His paintings show superlative skill, incredible inventiveness of form and are visually spectacular.Clifford's work is contemporary but essentially Aboriginal in inspiration. He was chairman of Papunya Tula Artists in the 1980s and received the Order of Australia in 2002. Same all the ladies, they been get all the bush fruit, might be bush onion, plum, might be honey ants, might be yala, all the kungkas (women) bring them back. Clifford Possum Tjapaltjarri was an Australian artist born in 1932. And they been using them on body different times.Kids, I see them all the time, painted. [4] The youngest was Clifford Possum Tjapaltjarri, encouraged by his older brother Tim Leura Tjapaltjarri. Clifford Possum Tjapaltjarri is arguably the most famous male Central Western Desert artist, who from 1971 until his death in 2002 dominated the Aboriginal art scene. Deborah Hart, Head Curator, Australia Art, leads a conversation with Australian artists Fiona Hall and Judy Watson (Waanyi people). It was given extensive media coverage and had record attendances. His brother was Tim Leura Tjapaltjarri, whose artwork appeared on another stamp. It makes accessible the development of a master painter of the Anmatyerre tribe, one . LANGUAGE GROUP: Anmatyerre Open Air is an exhibition of portraits of Australians in environments of particular significance to them. A founding member of Papunya Tula Artists cooperative, Clifford Possum Tjapaltjarri was one of the most important artists of the movement and among its most innovative practitioners. (Sotheby's) A dot painting by Indigenous artist Clifford Possum Tjapaltjarri broke the existing record for an Aboriginal artwork at auction . Clifford Possum Tjapaltjarri - Artist Biography Shopping Cart | Wish List | About Us Artworks Exhibitions Buying Guide Our Services Art & Culture Contact Us Search Aboriginal Artworks Text Search Search Website Colour Range Size and Shape Range Size: Shape: Price Range On Sale Low: High: Region & Theme Possum's father was Tjatjiti Tjungurrayai and his mother was Long Rose Nangala. Over 60 major paintings, all with detailed annotations and spanning more than two decades of his output, are reproduced in this volume. Because everybody there all ready waiting. [17] The artist also modified some of the iconography, and limited the explanations of the painting, omitting secret-sacred dimensions of the stories to avoid offending other Indigenous men, and in recognition that most of the audience for the work would be uninitiated non-Indigenous people. This heightened his appreciation of the idea that a painting might function as a map, and as a unified embodiment of place, identity and spirituality. The National Museum of Australia acknowledges First Australians and recognises their continuous connection to Country, community and culture. Possum's parents were from the Anmatyerre people, and he was born in an isolated, dry creek bed, 200 kilometres northwest of Alice Springs, in June 1932. Pre-auction, the work was expected to make art history as the most expensive Aboriginal canvas at auction. Possum was of the Anmatyerre culture-linguistic group from around Alherramp (Laramba) community. The art of Clifford Possum is notable for its brilliant manipulation of three-dimensional space. Later that year he travelled to the US to attend the Dreamings exhibition at New Yorks Asia Society Galleries. stated in. When it held an exhibition of his work in 2004, the Art Gallery of New South Wales described his artistic background: Clifford Possum Tjapaltjarri died in Alice Springs on the day he was scheduled to be invested with the Order of Australia for his contributions to art and to the Indigenous community. It lives at the National Gallery of Australia in Australia. Like many other Anmatyerr people, his family moved to the east region of their country following the Coniston Massacre of the mid-1920s. Tjapaltjarri was made an Officer of the Order of Australia in 2002. Video, Know My Name Closed Good Friday & Christmas day Hundreds of Aborigines were forced from tribal lands. Images may not be reproduced for any reason without express permission from the artist. Photo: Professor JVS Megaw, https://en.wikipedia.org/wiki/Clifford_Possum_Tjapaltjarri. Clifford Possum Tjapaltjarri was born in Tjuirri, an area north of west Alice Springs, also known as Napperby Station. His work is featured in many of the main galleries and collections around Australia and internationally. . Clifford Possum Tjapaltjarri, Long Jack Phillipus Tjakamarra, and William Sandy are some of the best known Papunya artists. It exemplifies a distinctive painting style developed by Papunya Tula artists in the 1970s, and blends representation of landscape with ceremonial iconography. The omission led scholar Vivien Johnson to conclude that Warlugulong (1977) portrays a narrower geographic area than the preceding work. [16], While the painting has been described as showing the story of an ancestral being called Lungkata starting the first bushfire,[13] it portrays elements of nine distinct dreamings, of which Lungkata's tale is the central motif. Clifford possum tjapaltjarri warlugulong 2007 Background Contemporary Indigenous Australian art originated with the Indigenous men of Papunya, located around 240 kilometres (150 mi) northwest of Alice Springs in Australia's Western Desert, who began painting in 1971. Painting, synthetic polymer paint on canvas, 202.0 h x 337.5 w cm. 193221. We pay our respect to Aboriginal and Torres Strait Islander cultures and to Elders both past and present. We respectfully advise that this site includes works by, images of, names of, voices of and references to deceased people. Clifford Possum Tjapaltjarri is arguably the most widely acclaimed, collected and exhibited Aboriginal artist of . Diversity in the Desert. He was of the Peltharr skin. While Possum never forgot the Christian teachings at Hermannsburg, he never fully embraced the religion, unlike his older brother who studied at Hermannsburg and was ordained as a Lutheran pastor. This is a pure example of how . He made a significant impact in 1971 and remained inarguably a noteworthy artist even after his death in 2002. Video excerpt from the ABC documentary 'The Exhibitionists' on Australian female artist Janet Cumbrae Stewart. His obituaries, which appeared in newspapers around the world, generally referred to him as Clifford Possum and gave his age as about 70. [23] Warlugulong's buyer was the National Gallery of Australia, which purchased the work as part of its 25th Anniversary Gifts Program. Over 60 major paintings, all with detailed annotations and spanning more than two decades of his output, are reproduced in this volume. Sep 12, 2021 - Clifford Possum Tjapaltjarri was the first recognized star of the Western Desert art movement. This was the last Aboriginal settlement built under the Menzies Liberal governments racist assimilation policy. As an artist who frequently incorporates celestial-like symbols and motifs in his work, Johnson was drawn to the meditative and intricate quality of dotting and sought permission from the Papunya artists to employ it. Requests for a reproduction of a work of art or other content can be made through a Reproduction request. For a time he experimented with complex striping, linked dotting or overlapping the background with a patching pattern. [9], This work excludes elements of several dreamings associated with country further south, which had been included in the painting created by Clifford Possum and his brother a year earlier. His friendships and collaborations with Tjapaltjarri and other artists helped Johnson 'see the surface of a painting like a field representing the entire universe.' Purchased. In 1976, with the assistance of Tim Leura, he painted Warlugulong 1976, which he later described as his number one painting. He was chosen by Papunya Tula Artists to paint, with his brother Tim Leura Tjapaltjarri, the large canvas that became Warlugulong, 1976, for a BBC documentary, Desert Dreamers. Close product . Possum Tjapaltjarri contributed to the Indigenous Australian Art movement and died on June 21, 2002. [13] Clifford Possum would often collaborate with other artists, particularly his brother Tim Leura, and the brothers together created the 1976 work of the same name. Toward the end of his life Tjapaltjarri was recognised as one of Australia's great painters, and in 2004, when the National Gallery of Victoria presented Clifford Possum Tjapaltjarri, he became the first of the Papunya Tula artists to have a retrospective exhibition at a major Australian art museum. 202 cm 337.5 cm. He was selected by the Possum family to be a pall bearer at Clifford's funeral, a great honour he very much valued." Mr Knight featured in the media many times over the years - from when he bred an unusual foal that was shot from the Hume Freeway to winning a bet to ride a donkey over the Princess Bridge in the Melbourne. The exhibition will include works of art from the NPG Canberra's permanent collection with some inward loans and aims to highlight the achievements of notable Australians. Clifford Possum Tjapaltjarri In Ocula Magazine Ocula News Swiss Collector Buys Kelton Collection of Australian Indigenous Art Melbourne, 3 December 2020 In a deal worth millions, Bruno Raschle acquired more than 250 works in the California-based collection. In 1988 and 1990 Tjapaltjarris work was featured in London galleries, bringing an international audience to Papunyas flourishing art practice. Master weaver Yvonne Koolmatrie is passionate about preserving the near lost art of Ngarrindjeri weaving. Clifford Possum Tjapaltjarri was the most famous of the contemporary artists who lived around Papunya, in the Northern Territory's Western Desert area, when the acrylic painting style (known popularly as "dot art") was initiated. Throughout the late 1980s and 1990s his paintings featured in numerous group shows and his works were acquired for collections in Australia and overseas. In 1988, Londons Institute of Contemporary Art presented an exhibition of his paintings, and a second solo exhibition also in London in 1990 brought him critical acclaim in Europe and North America. While his year of birth is considered to be approximately correct, the day and month remain undocumented. [3], Clifford Possum Tjapaltjarri died in Alice Springs on the day he was scheduled to be invested with the Order of Australia for his contributions to art and to the Indigenous community. (270 x 128 cm.) Clifford Possum Tjapaltjarri. Born in a creek bed on Napperby cattle station, Clifford Possum worked from late boyhood as a stockman. What is now referred to as the Papunya movement began in 1971, when the men started transferring their designs from the body and the ground onto panels of masonite and other moveable surfaces. Often these techniques would be carefully interwoven into an integrated composition, overlaid with more dots to producing an illusion of changing spatial depth. Animal representations include tracks of a cluster of emus from a place called Napperby, on the artist's country, as well as those left by the rock wallaby, or Mala, men journeying north from Port Augusta in South Australia, as well as, on the left hand edge of the picture, those of two groups of dingoes going to a place called Warrabri. Albrecht from Hermannsburg Lutheran mission noticed that the young Clifford was suffering from severe malnutrition during one of these visits and arranged for him to be nursed back to health at the mission and then returned to his mother. Similar to many Aboriginal artists of this time, he began his working career as a stockman on various cattle stations established on his ancestral country and later was employed in the construction of the Papunya settlement. Copyright in all materials and/or works comprising or contained within this website remains with the National Portrait Gallery and other copyright owners as specified. At first appearing abstract, small human and animal footprints reveal them as maps combining landmarks of Tjapaltjarris country of Tjukurrpa with metaphysical symbols, events and characters from the Dreaming. Clifford Possum Tjapaltjarri is arguably the most famous male Central Western Desert artist, who from 1971 until his death in 2002 dominated the Aboriginal art scene. #aboriginal art #australian painting #aboriginal art #aboriginal painting #papunya #western desert #painting #australian art #indigenous australian art #art aborigne #Kunst der . [17], Johnson's analysis of the painting emphasises the relationship between the representation of geographical sites in the Yuendumu region and the dreaming stories associated with those sites. [3], Contemporary Indigenous Australian art originated with the Indigenous men of Papunya, located around 240 kilometres (150mi) northwest of Alice Springs in Australia's Western Desert, who began painting in 1971. Their works were mostly Tjukurrpa (Dreaming) stories, representing the creation of significant sites and landforms by ancestral beings along their paths of travel through traditional lands. 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